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09 April 2008

Long After Midnight at the Niño Bien: Excerpt #2

What follows is another excerpt from Brian Winter’s Long After Midnight at the Niño Bien: A Yanqui’s Missteps in Argentina. (The first excerpt is here.) After weeks of training, he finally thinks that he’s good enough to ask a woman to tango, and discovers that the asking is the easiest part…

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When I saw her a second time, I finally understood the significance of her tattoo.

She was leaning over the bar at the Niño Bien in that same blood-red strapless dress, laughing heartily at something the bartender had said. I realized that the tattoo itself was not particularly remarkable—it was the fact she had one at all. Most Argentine women obsessively avoided such displays; they danced the same way, talked the same way, wore their hair the same way; usually, it should be conceded, to great effect. Nose rings, pink hair, and tattoos were positively unthinkable. But then here was this woman at the bar, drinking without shame, brandishing a tattoo of a scorpion, of all the unapologetically unsubtle things in the world. Her deep laugh echoed off the walls of the grand salon. This, I now realized, was not your typical chica porteña.

God bless the tango, I remember thinking. I actually have a legitimate excuse to invite this woman to dance.

I resolved to do it the right way. I would try out my cabaceo. As casually as I could, I strolled over to the opposite end of the bar and slowly allowed my gaze to settle on her. She continued to flirt with the bartender, looking everywhere but at me. I didn’t stare at her, of course—I did as I had been told, holding my gaze for three seconds and then looking away, waiting a reasonable amount of time, and then starting the cycle over again.

She ordered a drink. She kissed someone hello on the cheek. Soon, I was just staring at her unabashedly. Then, just at the very moment I was starting to feel like a crazy sex offender, we made eye contact. A barely perceptible nod of my head and…

She smiled. Eureka. She set her drink on the bar, winked enigmatically at the bartender, and turned my way.

¿Bailamos?” she asked good-naturedly.

I grinned so, pleased with myself, and the tango, that I might explode. “Bailamos.

I took her hand and dragged her, practically sprinting, over to the dance floor. The music struck up, I pulled her as close to me as I possibly could, and off we went.

It was like taking the wheel of a Mercedes-Benz. I was stunned by the ease, the smoothness of dancing with her. She seemed to respond to my every move with perfect, effortless precision. At the slightest shift in my shoulders, she would turn. A bit of pressure on her back, and she’d answer with a giro. Indeed, a few times, she seemed to anticipate my lead before even I knew where I was going. Our bodies lined up with total symmetry; her waist at the same level as mine, her chest resting comfortably on my sternum. All my usual nervousness vanished. I started taking confident, sweeping steps, practically flying around the dance floor. Was I suddenly this good?

Continue reading "Long After Midnight at the Niño Bien: Excerpt #2" »

07 April 2008

Long After Midnight at the Niño Bien: Excerpt #1

Below, the opening pages of Brian Winter’s Long After Midnight at the Niño Bien: A Yanqui’s Missteps in Argentina are available. Winter skillfully introduces the reader to El Tigre—Winter’s initial dance instructor and larger-than-life Argentine gentleman—and the Buenos Aires nightflife, circa 2000. My fuller review of the book will appear on Wednesday. A second excerpt will be posted on Thursday, and an interview with the author will be featured on Friday. Enjoy.

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A few months before the supermarket riots started, I had asked El Tigre to give me my first tango lesson. He looked me up and down, his eyebrows wrinkled with disdain, his eyes halting on my mud-stained tennis shoes. “I don’t traffic in miracles,” he sighed, knocking back the rest of his double-malt whisky, the color slowly returning to his weathered face. “And that’s obviously what’s needed here, so you’d better start praying to whichever god you prefer. I make no promises. But, if you meet me next Thursday at midnight outside the door at the Niño Bien, I’ll give you my best effort.”

The following week, I dutifully did as told, and I even managed to borrow a freshly buffed pair of black dress shoes for the occasion. At a quarter till one, El Tigre finally materialized out of the shadows and into the copper glow of the streetlight, his colossal frame practically floating down the sidewalk. He had a grin on his face, and his fingers were twitching with nervous anticipation. “To war,” he whispered with a nod. We bounded up the marble stairway of the old Leonese cultural center two steps at a time, paid our five-peso admission, and turned the corner into the Niño Bien’s grand salon.

Inside, the girls were swarming like honeybees. El Tigre was already just a bit too drunk to swat them away as we fought through the crowd, struggling to make our way to our table. Waitresses with gold teeth, the bar girl in her wine-speckled blouse, the dancers in their delicate fishnet stockings—they savagely elbowed each other out of the way, kissing him hello on the cheek, hanging from his knotted arms, giggling at his every compliment. It took us half an hour just to sit down.

Nobody there knew his real name; at tango halls around the city, El Tigre was known solely by his nom de guerre. He claimed to know nothing of its origin. “I was just walking down the street one day and this girl from the milonga saw me and said, ‘Hey, Tiger!’ That’s the truth. She said the other girls called me that.” He shrugged, flashed a devious grin, and added, in a rumbling, theatrical growl: “I can’t imagine why.”

“Do you get a lot of girls?” I asked him as we settled into our chairs.

“That’s not important. I come to dance the tango. If I go home with a beautiful woman, then that’s fine. But it’s not why I go out.”

“But do you get a lot of girls?”

“Oh yes,” he said quietly, solemnly. “El Tigre has had many women. But I’ll tell you a secret,” he said, leaning in and whispering into my ear: “If it weren’t for the tango, I wouldn’t have gotten laid since 1985.”

Continue reading "Long After Midnight at the Niño Bien: Excerpt #1" »

20 November 2007

Dispatch #1: 13 Rastafarians pull up to a police checkpoint

This post introduces a new and (very) occasional feature to the blog—dispatches from people other than your proprietor. From the outset, two-and-a-half years ago, I intended for the blog to have guest appearances by friends and relatives, which would provide a forum for people on the outer fringes of Quiet Bubble’s life and times. I never seemed able to get this idea organized.

Sometimes, though, these things just fall into my lap. The following, however, wound its way here delicately and naturally, like a salty breeze wafting up the nose from the Indian Ocean, or sweet smoke curling upward. Both of which are important to the following events.

Some background about our featured guest: Brünhilde—obviously not her real name—is a dear friend who has spent the last two months traveling by plane and train through southeast Asia and the eastern coast of Africa. She now finds herself in Venice. In less than 70 days, she’s set foot in Thailand, Cambodia, Tanzania, China, and other countries. The following story came, spicy and rushed and hilarious, off the email transom from Zanzibar, on 16 October, the day after my birthday. It felt like a perfect belated birthday present and so, with Brünhilde’s permission, I present it here. I’ve edited for capitalization, spelling, and punctuation, and have added contextual links to clarify what might be obscure. Otherwise, I’ve let it be. Enjoy.

—Walter

I spent this past weekend in Zanzibar, and what follows is an impossibly true account of my only night there. I stayed on the east coast of the spice island in a village called Jambiani with an surreally turquoise sea and several guesthouses, almost all entirely staffed by Rastafarians. I spent my early evening, after a long day of hard bench seats in the crowded back of trucks (euphemistically known as dalladallas), ferry rides, and taxi drivers repeatedly asking “Are you alone? Are you travelling alone? Are you alone?,” eating coconut curry fish, drinking African cider, and learning how to play the real version of mancalaBao—from the local snorkeling guide named Captain Chicken. I met a South African couple from Johannesburg who work in advertising, and they invited me along for what I thought would be a short beachside pubcrawl with the staff from my guesthouse, Kimte, and the neighboring one, Coral Rock Inn.

20 minutes later, I found myself piling into a minibus with the South African couple, a sullen and already wasted Norwegian tourist, and 9 Rastafarians with names like Warchilla, Achmed, Idi, Capra, Natty Congo ne Moses, and James. Soon, multiple points of light passed around the stacked minibus as its passengers spontaneously cried “Jah!,” “Rastafara!,” “wah m” (ya man), and “Hakuna matata!,” which means exactly what Disney told you, and sang along to a reggae reworking of “In the Ghetto.” Our first stop was a beachfront bar pumping reggae (Buju, I didn’t know how much I missed you) and the occasional soul. We drank more Safari and Savannah [local beers] and made our way to the dance floor, which was populated by Maasai tribesmen on holiday in traditional garb and hair with fanny packs and sunglasses bootydancing with Euro tourists and other Rastafarians. The music broke for a second, and the Maasai did a traditional chant-and-jumping contest to appease the Rasta owner before calling for the lights to be dimmed and more hip-hop (which they mixed in with traditional dance). The South African couple and I thought there was no way we would do better bar-wise, but within thirty minutes the Rastas, perhaps tired of getting cockblocked by the Maasai tribesman, rounded us up, open containers in hand, and piled us back into the minibus.

A variety of herbaceous points of light were passed, beers drank, and jah's called till we rolled up to a police checkpoint, which, I must say, must not serve the same purpose they do in the States. After a lot of barely controlled snickering, a cursory check, and a brief comment concerning the rolling tide of smoke emerging on all sides of the minibus, we were waved on, the music re-blasted, and a lot of “hakuna matatas” shouted. But the windows were closed from then on, which led to the powerful de facto hotboxing of the minibus.

We passed more village celebrations (Saturday was the first real day and night of Eid, the celebration at the end of Ramadan) on route to what I thought was another eastern coast beach bar, then another checkpoint—this time with more hassle, but again not for the smoke or open containers, but for the sheer number of us packed into the minibus. After being waved through on behalf of the night’s celebration, we improbably stopped to pick up another passenger, our 14th. We made it through another checkpoint (with mild bribery) and a breakdown (out of gas) before rolling into a nice town, an almost too nice town, my fears confirmed as our ad hoc tour guide pointed to our right and said “and this is where Freddy Mercury was born.” We were back in the capital, Stonetown, more than an hour’s drive away from our guesthouse, and it was 1:00am. This would not be a short pubcrawl.

Next, we hit an oceanfront reggae party three doors down from Freddy Mercury’s birthplace, strongly reminiscent of the interior decor and scene of WC Don’s [a Jackson, Mississippi nightspot] in the mid-1990s, but with men in full traditional Arab garb and Rastas playing pool (badly). I quartered up, but again the scene was not good enough for our hosts, and we moved on before I could play. We walked through the whitewashed streets, past the clove warehouse (Zanzibar is the world’s largest producer of cloves.), to a mid-century continental hotel converted into a disco, complete with futurist white saucer eaves, a barbeque, and a rooftop bar and pool. More drinks, then down into the disco, jammed with every type and color of person imaginable and throbbing with taarab (traditional Arab-influenced Zanzibari music), dance hall, American hip-hop, lingala, reggaeton, and Swahili rap. A little past four, with the Eid festivities winding down, we clown-carred back into the minibus, I schoolmarmishly counted heads, and after some late-night grub, we sleepily made our way back through the checkpoints arriving at Jambiani just at dawn.

After thwarting some a little too literal attempts to get into my pants by the resident sculptor, I swam out into the Indian Ocean sunrise.